![]() “But that’s when we learned how to move with the hyena legs, walking like you have four legs. “I really had no clue until we saw the amazing, amazing costumes,” she recalls, and she was also fortunate to learn from the puppet master himself, Michael Curry. Diamini’s reading and movement skills landed her a part in the company, and then she began to understand Taymor’s vision. “At first when they said, ‘We’re going to do The Lion King, I really didn’t understand how human actors could do it it should have animals,” she recalls thinking. from her native South Africa for the show Sarafina!, but opted to remain in New York and see what she could make happen. Lindiwe Diamini, who has been with The Lion King since it opened in 1997.ĭiamini was a 19-year-old actress when she first learned of auditions for the new musical. You saw people happy… crying… screaming… It was all at once and it was extremely overwhelming,” remembers Lindiwe Dlamini, who was part of the company on November 13, 1997-the show’s official opening night-and who remains with The Lion King to this day. “When we came down the aisle during the first number, ‘Circle of Life,’ people were in tears. Julie Taymor’s groundbreaking adaptation of Walt Disney Animation Studios’ beloved film The Lion King used puppetry, masks, and innovative staging to bring the African savanna to the Great White Way. Twenty years ago, Rafiki’s stirring call rang out through Broadway’s New Amsterdam Theatre for the first time.
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